寻常疣是什么样子图片

封面
Princeton University Press, 2025-08-14 - 344页
百度 “把提高教师地位待遇作为真招实招,增强教师职业吸引力”,《意见》全文有十余处论及教师的“收入”“待遇”“工资”“薪酬”“投入”等,重申“健全中小学教师工资长效联动机制,核定绩效工资总量时统筹考虑当地公务员实际收入水平,确保中小学教师平均工资收入水平不低于或高于当地公务员平均工资收入水平”。

The eighteenth-century Hongloumeng, known in English as Dream of the Red Chamber or The Story of the Stone, is generally considered to be the greatest of Chinese novels--one that masterfully blends realism and romance, psychological motivation and fate, daily life and mythical occurrences, as it narrates the decline of a powerful Chinese family. In this path-breaking study, Anthony Yu goes beyond the customary view of Hongloumeng as a vivid reflection of late imperial Chinese culture by examining the novel as a story about fictive representation. Through a maze of literary devices, the novel challenges the authority of history as well as referential biases in reading. At the heart of Hongloumeng, Yu argues, is the narration of desire. Desire appears in this tale as the defining trait and problem of human beings and at the same time shapes the novel's literary invention and effect. According to Yu, this focalizing treatment of desire may well be Hongloumeng's most distinctive accomplishment.


Through close readings of selected episodes, Yu analyzes principal motifs of the narrative, such as dream, mirror, literature, religious enlightenment, and rhetorical reflexivity in relation to fictive representation. He contextualizes his discussions with a comprehensive genealogy of qing--desire, disposition, sentiment, feeling--a concept of fundamental importance in historical Chinese culture, and shows how the text ingeniously exploits its multiple meanings. Spanning a wide range of comparative literary sources, Yu creates a new conceptual framework in which to reevaluate this masterpiece.

目录

Censorship and the Critics
186
The Fiction of Desire
194
The Fate of Reading
210
Tragedy
219
The Orphaned Contender
226
The Thwarted Communion
234
Between Delusion and Hope
246
Conclusion
256

Stone
110
The Gate of Emptiness
121
The Dream and the Mirror
137
The Fiction of Stone
151
Literature
172
Glossary
269
Bibliography
277
Index
313
版权

常见术语和短语

热门引用章节

第103页 - Third-world texts — even those which are seemingly private and invested with a properly libidinal dynamic — necessarily project a political dimension in the form of national allegory: the story of the private individual destiny is always an allegory of the embattled situation of the public third-world culture and society.?
第139页 - While we dream we do not know that we are dreaming, and in the middle of a dream interpret a dream within it; not until we wake do we know that we were dreaming. Only at the ultimate awakening shall we know that this is the ultimate dream. Yet fools think they are awake, so confident that they know what they are, princes, herdsmen, incorrigible! You and Confucius are both dreams, and I who call you a dream am also a dream.?
第14页 - Having made an utter failure of my life, I found myself one day, in the midst of my poverty and wretchedness, thinking about the female companions of my youth. As I went over them one by one, examining and comparing them in my mind's eye, it suddenly came over me that those slips of girls-which is all they were then-were in every way, both morally and intellectually, superior to the "grave and mustachioed signior" I am now supposed to have become.?
第50页 - The text goes beyond this, however, for as it accounts for its own mode of writing, it states at the same time the necessity of making this statement itself in an indirect, figural way that knows it will be misunderstood by being taken literally. Accounting for the "rhetoricity" of its own mode, the text also postulates the necessity of its own misreading. It knows and asserts that it will be misunderstood. It tells the story, the allegory of its misunderstanding: the necessary degradation of melody...?
第67页 - Pleasure in things and anger against them, sadness and joy, forethought and regret, change and immobility, idle influences that initiate our gestures -music coming out of emptiness, vapour condensing into mushrooms — alternate before it day and night and no one knows from what soil they spring. Enough! The source from which it has these morning and evening, is it not that from which it was born??
第187页 - As for girls like you and me: spinning and sewing are our proper business. What do we need to be able to read for? But since we can read, let us confine ourselves to good, improving books; let us avoid like the plague those pernicious works of fiction, which so undermine the character that in the end it is past reclaiming.?
第265页 - uno de los recursos más obviamente artificiales del cuentista?...): ... the trick of going beneath the surface of the action to obtain a reliable view of a character's mind and heart.?
第97页 - This peculiar range of sensibility can be expressed by dramatic poetry, at its moments of greatest intensity. At such moments we touch the border of those feelings which only music can express.?

作者简介 (2001)

Anthony C. Yu (October 6, 1938 - May 12, 2015) translated an unabridged, four-volume, 1,873-page English version of The Journey to the West, the 16th century epic saga of a Chinese monk's pilgrimage to India in search of sacred Buddhist scriptures. Yu was a scholar of literature and religion, eastern and western. He most recently held the title of Carl Darling Buck Distinguished Service Professor Emeritus in the Humanities and Professor Emeritus of Religion and Literature in the Divinity School; also in the Departments of Comparative Literature, East Asian Languages and Civilizations, and English Language and Literature, and the Committee on Social Thought at the University of Chicago. He died May 12, 2015. He was 76.

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